when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.3 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else.

nice price deal !!! -someday world- enthält neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla

limitierte ausgabe inklusive kunstdruck.
-someday world- enthält neun songs, gemeinsam komponiert und eingesungen von eno und hyde, mit einer beeindruckenden liste von gastmusikern und -vokalisten wie tessa angus, nell catchpole, marianna champion, will champion, kasia daszykowska, don e., darla eno, georgia gibson, andy mackay, john reynolds, fred gibson und chris vatalaro. das album wurde von brian eno mit dem erst 20-jährigen fred gibson produziert, und führt die schon länger währende musikalische kooperation zwischen karl und brian fort, die 2009 mit dem -pure scenius- projekt begann, an dem auch leo abrahams, jon hopkins und die australischen the necks teilnahmen, und nun in dem ersten gemeinsamen album überhaupt kumuliert. -someday world- erscheint als 2x12 inch lp im klappcover mit downloadcode. ps: brian enos letztes solioalbum -lux- wurde 2013 für den grammy nominiert.

gradus records is an unique music journey running by eskuche and nu sky. the history beginning from the moment when two great friends decided collaborate they music into something special. they left the country where they lived and moved to new york. inspired by this crazy city they built their studio, produced new music far away from day-in day-out madness of the life they left behind for a while. this imprint is oriented to deliver underground sound in originally native way - vinyl. the sound concept of gradus records integrates from the most ground-breaking house and techno through dark and deep organic grooves.

ahead of the album release in june, comes the second teaser ep package sketches from an island 2. its warm and widescreen music for the days when you need musical sunshine.

jiaolong011 sees daphni teaming up with composer/arranger owen pallett (final fantasy/arcade fire/beirut etc..) the a-side has been a staple in daphnis dj sets for the last year delivering bassweight worldwide. *that track is an enigma - when i listen to it at home it seems relatively innocuous but when i play it out all hell breaks loose*, says dan. the b-side is something even more strange and special - tiberius is perhaps the worlds first microtonal electroacoustic violin techno track.

we are so excited to present you *the infamous*, the collaborative project between bülent gürler aka butch and c. vogt! out in april on a limited light-blue coloured vinyl 10 inch, the full release will follow later in the year. when we have heard it for the first time at the rebirth office we jumped on the table saying -wooow- this is an amazing piece of music!

play it say it is a hot new label brought to you courtesy of seth troxler, and the first release is a one-side monster of a track by sharam (deep dish) and featuring manfred manns earth band. hot on the heels of deep dishs recently released club hit quincy, sharam releases tripi, a rib-rattling, earth-shaker destined to cause maximum dance floor pandemonium. an incessant dirty as hell synth line underpins the colossal driving force of this beast as the rhythm breaks down to the unearthly enchanting keyboard break courtesy of manfred manns earth band. tripi was endemic throughout wmc and expect to hear it everywhere this summer. already getting heavy support, tripi is destined for big things. seth has kicked off his new label in style. expect more floor fillers in this vain from other luminaires on play it say it this summer. and remember, when you play it, say it!

what does radiation sound like? what do the effects of radiation sound like? what happens when a musician with why sheep?s imagination and skill tries to answer these questions? 11 march is the 3rd anniversary of the tsunami that hit the pacific coast of japan and set in motion the disaster at the fukushima nuclear plant. 31th march sees the release of why sheep? s radiation ep. radiation 1 and 2 with remixes by kare san sui surrounding, another why sheep? moniker.

techno-legends oliver bondzio and ramon zenker aka hardfloor are back in style this season! with their beloved machine music that is free from seasonal flares, and artificial flavours. hardfloor are still true to the core of their 303 platine circuit boards. electronic music production is nothing less than a bare necessity to these pioneers of the acid groove. hailed and namedropped by many a young producer’s today, revamped or sampled... acid lines emerge anew in quite a few tracks. but when hardfloor put acid in their tank - it is sooo much more and way bigger than a marketable gimmick or the fuel to an otherwise exchangeable battery of loops. it is the motor, the lifeline and the heartbeat to a whole organism offering a whole world of expression and – first and foremost - emotions!

mancunians and have lead the way when it comes to the industrial techno revolution of recent times and now serve up three such tracks on ann aimee. coming after plenty of great work on their own eponymous imprint.

n a rainy late september day in the mid eighties, 7 year old phillip lauer didnt know what to expect from that little new born g, who was referred to as his brother jacob. on the other hand, baby jacob wasn t very sure of what to make of this - back then still sporty - youngster either, who behaved like his boss. to make a short story long it took them almost 30 years to finally find out - behind the helm of the infamous pyramide 2 studio when conducting this fine piece of home made dance music: the brudis ep

back for more so soon? yeah! baby is back! wilson records has fabio unleashing house legend gene hunt and not so newbie chiwax and lobster theremin veteran, stevie murphy for the fourth edition of the not a trilogy anymore split grooves series. its the perfect mix to brew an appetite for some dance floor destruction. we have mr. gene hunt taking on the a side with his twisted tracks get down and s and s. over to the b side, our cherished friend, steve murphys groove is anything but relaxed! crank up the volume and dont expect to stay glued to your seat. this one is special. no surprise when its laid out on a 180 gram vinyl. for the lovers!

washington dc s dj nav immortalises his melodic grooves on hand-numbered 12 inch vinyl on the ever-growing scottish imprint, made fresh daily. classic sounds are prevalent through city limits, with strong garage flavours in the percussion. a moving bassline on your words keeps things interesting as it realms into more underground areas, bringing variety to the otherwise classic sounding ep. reflect is a beautiful example of how real house can sound when executed properly, it also provided a platform for danny j lewis to build his dancefloor-minded dub. mastered by the mighty nate tinsley productions in long island, ny. this one comes with a free sticker if that wasnt enough.

now available exclusive at decks. the artist formerly known as 19.454.18.5.25.5.18 and albert van abbe are the two guys for me when it comes to faceless quality music. have a listen to their nice remixes and you will know what i mean and like about their sound.

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

professional dj bag carrying 75 of 12inch records. two equal subdivisions when opened. extra strong bel, cruchioned ground for easy record selecting. for a good party we recommend to carry 130 of you 12 inchen safely in two of there functional >> chateaux <<

luaka bop will release william onyeabor - what?!, for which the label partnered with moog to commission remixes and covers of the remarkably elusive african electronic artist william onyeabor, on 2lp vinyl for record store day, april 19. the collection features reworkings of world psychedelic classics 5: who is william onyeabor?, one of the most critically acclaimed albums of 2013. in the absence of participation from onyeabor, who long ago turned his back on music, luaka bop continues to engage other artists to create work, inspired by onyeabor, in various mediums. william onyeabor - what?! opens with hot chips cover of the onyeabor landmark *atomic bomb* and also includes jd twitchs (optimo) cover of *why go to war?*.

with *closer* masterton debuts on blackfoxmusics 19th release (bfm019). *closer* is a warm track with a deep groove and beautiful melodies. it relates to living in a long distance relationship and overcoming a lack of proximity.
robert babicz (babiczstyle, systematic, bedrock records) created an incredible remix. he used lots of the original melodies, combined them with new elements, added rolling drums and a thick bassline to give the track the extra drive. his remix became a constant part of his live sets and was debuted with great response at grelle forelle (vienna) and ritter butzke (berlin).
channel x (stil vor talent) remixed *closer* into a pretty cool and clubby deep house track. you can feel their berlin origin when listening to the groovy bassline with variations of the melody. finally the breaks capture the mood of the dissonant sounds from the original track.

although delivering a mysterious & scantily clad 12 inch is hardly a novel concept these days, we must confess to being more than a little excited when we heard this one! it is undercover time again, and we’re sworn to secrecy, of course… what we do know, however is that this mighty release is an absolute dancefloor sureshot! made up of two long, pitched down and utterly mesmerising workouts kicking off with itaque putant, a mid-tempo, tripped out disco number that marries elements of techno, late 80s balearia and more than a nod towards classic red zone dubs. super low subs and bags of melodic atmosphere conspire to provide a perfect dancing under the stars moment. on the flip timento is a lysergic, tribalistic epic, stitching together a series of ethnic ingredients and overlaying some seriously transcendent modern synth candy. building into the soundtrack for a full blown shamanic vision! a serious platter then, and when the music is this good, who needs more?

when you finally achieve a long sought after goal, dont think of it as you making it, but rather that it was not challenging enough to begin with.
epi centrum is jurek przezdziecki, who you may be familiar with thanks to his numerous releases on labels like cocoon, affin and synewave. known for always pushing sonic boundaries, as well as seeking new sources of inspiration, he is undoubtedly one of those artists who does anything but tow the line. raw, organic electronics, mixed with precision in execution are at the very heart of jureks output and his work has thus far received praise from the likes of depeche mode, laurent garnier, sven väth and damon wild.

marcelus is back on his own imprint with a brand new ep, its the fifth release on singular records with direct drive ep. as usual with the french producer, expectations are useless, this is an eclectic trip that shows once again his versatility, a mixture of force and subtlety on a side when b side combines deepness and voodoo. definitely techno.

telrae tracks is a sub label of telrae. the first record comes by van bonn who has recorded two tracks.
the a-side *on land* has the continuous mode character of early monolake music and conveys a powerful and intense feeling coming in waves.
*wave* on the flip side is a ghost track without any redundant sounds. no stunts just sounds that unite at certain outskirts to create a slight psychedelic experience. when the track stops you fall deep, because it is also a soundtrack.

after 20 years of experience, gary martin couldnt resist a 12 inch that is also the 50th release for teknotika: a label from detroit that didnt exactly stick with the game when it switched to the mp3 format. *basking in blackness* is a composition of textured broken beat then classic four on the floor old school soul. *synthotika* is what would happen if a synthasizer could take over an orchestra. a track inspired by detroit peers no doubt. *every bit as beautiful* goes sensative deep house piano, a lil latin percussion and soaring eno-esque synths to top it off. the title is a bit sarcastic, let us face it, there is no life after techno!
pressing on grey marbled vinyl.

when berlin meets bucharest, you get the real magic in electronic music.trin limited brings in front, with the first release, a harmonious and energetic blend of techno and house with a specific romanian air, that surrounds this electronic music time scene. our very first trin ltd release features two romanian up and coming producers, vinyl speed adjust - having already established themselves with vinyl releases on diferrent labels. with one original track: *not so sure* a hypnotic tech-house groove and a moody yet stunning remix done by none other than vera heindel (mara trax). on the flipside we have two trin regulars - diferit, stepping to the plate with *grey venues*, a dreamy, breaky affair and lumieux with his *luftrack*, a dramatic microhouse piece in which you will have the oportunity to stimulate your senses. vinyl only!

as the three were strolling through the woods on the fourth day, they noticed the grounds starting to vibrate when headed in a certain direction. following the heavily beaten path, a squalid beam of light arose through the depths of the forest..

when you listen to this ep you cannot keep yourself stable. your heart pulsates like a bat out of the hell, your blood boils for the rhythm, your soul lingers on one side to the other of the room where your body tries to check the discharge of adrenaline as it emerges.

just when you thought sleng teng could go no further, it is back with this booming version for the dancehalls of today. dem stylee on the flip side is a perfect compliment to this limited edition white label for all rub a dub bass technicians.

in a world where the internet overflows with the bedroom edits of thousands of would-bes and never-haves, it is worth remembering that there was a time, not so very long ago, when the edit block was an exclusive territory that only true disciples could enter.

deluxe edition of maya jane coles album *comfort* on double 12 inch vinyl with 5 additional tracks. download code included.

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

matt obrien first came to our attention in 2005 with his off-key industries releases hidden high and serotone, which would later get a license on rekids. his first contribution for curle was back in 2007 when he remixed efdemins acid bells. in 2010 he made up the flipside to dozzy & van hoesens track on curle 024. after starting over in 2011, were proud to welcome matt back on curle for his second full ep. dont forget your scuba glasses, its deep!

oskar offermanns first solo 12inch on white since the infamous apple crumble ep! this beautiful wax is coming along with 3 subtle deep house tracks, which reflect the hours early in the morning when the peak time is already over, and everything calms down on the dancefloor

dims classic edit skills are back on wax! including 2 exclusive unreleased tracks.

restore is a brand new label from tel avivs jean claude gavri with volume 1 featuring the talents of late nite tuff guy / adriatic favourite dean sunshine smith, ezlv and label boss jc gavri. pressed on white vinyl.

jbla came into being after julian jöckel (midnightopera) and stuart argabright (ike yard, black rain, o13) performed at a party in brussels on the 5th of oct. 2012 on invitation from bernardo risquez & michael langeder (different fountains). they all had met for the first time the year before through michael kreitz from meakusma when different fountains & o13 played concerts in eupen. after staying at different fountains studio the day after the brussels event they set up a rather improvised jam session. julian played synth on a yamaha dx7, bernardo worked the low frequencies on an old eminent organ while michael contributed machine sounds and took care of the live fx engineering. stuart put together some words and brought a beat to the occasion of the jam session at the df studio. during the short euro tour with ike yard, l.i.e.s label head ron morelli and artist svengalisghost came to the paris show and were talking with stuart about the streetwalkers of belleville, specifically the sad chinese hookers out on the street. combined with news about recent foxxconn workers suicides in china and witnessing altercations close to the air bnb where he stayed. the belleville ep are two cuts from that session with remixes from ron morelli + svengalisghost and vereker, pressed on translucent vinyl.

gravitas, talib kwelis sixth solo album, began to take shape in may, during the weeks following the release of kwelis fifth solo album, prisoner of conscious. loaded with guests, prisoner of conscious was well received and reviewed, and gained talib many new fans to add to his already large following. however, kweli soon found himself wanting to record more personal material and really document his journey thru music. when singer ryan leslie, who created the platform that kweli is using to sell gravitas, approached him with the idea of selling direct to fan, songs that were just rough ideas began to fully form in kwelis head.

124 recordings return in 2014 with the link-up ep-four tracks split between london producer stevie b and nycs doug gomez,both delivering their own interpretation of house music recalling the heady days of the 90s without relying on the same tired and over used formulas

when luke solomon got in touch and said he wanted to work with local talk we felt both honoured and happy, especially since we have been fans for a long time and mats actually booked him to his raw fusion club in the late 90s. he has been around long enough to be considered a legend within the scene. we couldnt agree more. lost channels, a 130 bpm piano driven and punk-dubby new york inspired house track comes in two versions. the raw & stripped version is exactly what the name says, sharp snares & hi-hats, piano chords, a driving rhythm with lukes trademark percussion sprinkled on top. the live piano version is actually the original version and is peppered with more of everything. bubbly fx, more of that staccato piano and of course that muscular bassline. for remix duties it is the return of an old local talk friend, wil maddams. it seems like wil has spent some time in detroit since last time. this remix sounds like something that would come straight out of the d, his clever drum programming holds this track together with its deep pads and bubbling bassline. it is a retro (but fresh) techno jam for 2014.

tartelets latest comes from glenn astro. currently residing in essen, he has spent a bit more than half his life djing and producing, first in the realm of hip-hop and more recently with an ear toward dance music. after his first releases in this style in 2011 and 2012, glenn really went for it in 2013 with a trio of eps that showed hip-hops soul and house musics drive are in no way mutually exclusive. this 26-year-old may embrace the latter these days, but when you close your eyes and let his gritty low-end do its dirty work, you will hear plenty of the formers bump still kicking around in there.

luca lozano, owner of klasse recordings presents this majestic 4-track ep on optimo trax. inspired by the past but sounding the antithesis of retro. in his own words.... the optimo trax ep was born out of a time when i was listening to a lot of old bleep house and rave, early 90s uk stuff. growing up in sheffield i was lucky enough to spend some time in warp records when it was still a record store and being around this music and the people that made it must have somehow embedded itself into my psyche. listening to pirate radio stations like fantasy fm as a teenager helped shape my musical interests as they are today and i guess this ep is somehow a reflection of that education, i wanted to make a collection of music that sounded like it was related to a certain place and time and in effect confirm my own identity within its context.

limited reissue of a lost gem from 1980.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #26 dreams of the future. we went searching in outer space and found disco. whiskey disco alum, osmose, is joined by newcomers terrence pearce, mr mython and falcon punch on this 4 song compilation of standup, get down disco and boogie edits.

cyan341 is bethnal green boy mark streatfield, returning to uncharted audio here with his new ep *coal train*. released ahead of the full length *far from home* album, this ep follows his earlier *disconnected* and *pattern 4* releases on uncharted audio (licensed by james zabiela and championed by the likes of move d and benjamin brunn). when we first heard the opening track it was signed on the spot – probably one of the finest uk techno rumblers we have heard in many a year.

boston label get on down can always be counted on to produce high quality reissues of hip-hop gems, and of course this album is no exception. lord willin was the acclaimed breakthrough release by virginia duo clipse, featuring rappers pusha t and no malice, backed by the eccentric production of the neptunes. both mcs had past connections to the underground drug world, which influenced the gritty, hard-hitting street rap within. the album also featured guest spots from jadakiss, styles p, nore, fabolous, faith evans, and early-in-their career appearances from sean paul, kelis, and lil wayne. get on down now presents the album, fully re-mastered and re-constructed on double vinyl, after long being out of print in the format.

we have been a fan of motor city drum ensemble since the brooding and eerie >escape to nowhere< in 2007 - a track that sounded like someone had listened to > french kiss< on acid and then tried to recreate what they heard. so when we started re-issuing romanthonys classics with fresh remixes, mcdes danilo plessow was always someone we wanted to on the project. it has taken 2 years to organise this mix and now it is finally here it doesnt disappoint. taking on > trust<, most people would head straight for the vocal but plessow instead eschews that idea for a warm, low slung dub mix reminiscent of muzique tropique and early glasgow underground releases by studio blue. as a more dj-friendly alternative he also delivered a completely instrumental dub mix.